Live From CFP National Championship: ESPN Ushers In New Era With Epic Game Production
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ESPN Director of Remote Operations John LaChance echoes the thoughts of his long-time colleague Bob Braunlich. The two company vets agree that tonight’s first-ever College Football Playoff National Championship Game (8:30 p.m. ET, ESPN) is going to be unlike anything they’ve ever worked on before.
John LaChance is overseeing the technical operations for ESPN at tonight’s College Football Playoff National Championship Game.
“I have been on Super Bowls, World Series, Olympics,” he says. “This is by far the largest-magnitude event that I’ve had the privilege of overseeing.”
ESPN’s game production crew — working out of a loaded compound housing eight Game Creek Video trucks (Spirit will serve as the main game truck) — has deployed more than 40 cameras and will have approximately 60 camera sources at its disposal when you add in all the shared resources being used for ESPN’s Megacast and for in-stadium entertainment at AT&T Stadium.
The traditional coverage of the game will feature 11 hard Sony HDC-2500 cameras, two cabled handheld Sony 2500s, four RF Sony 2500s, three more Sony 2500s serving as support cameras (jibs, clock/score), six standard robotic units equipped with Sony P1 cameras, a Sony P1 Steadi-cam, and more. Aerially, viewers will see angles from Spidercam, Flycam, and an airship above the stadium.
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ESPN is also making a substantial 4K commitment to this year’s championship. Five hard Sony F55 cameras are distributed around the bowl, and four 4K I-Movix Phantom robotic units are positioned at the near and far side on each goal line.
Viewers saw an example of just how valuable 4K zoom can be in Ohio State’s Sugar Bowl win over Alabama when Michael Thomas hauled in a critical touchdown catch late in the first half: 4K showed that he had gotten his foot in bounds.
The production compound in the bowels of AT&T Stadium is filled with six Game Creek Video mobile units.
On top of all of that, the main game production will have access to 10 camera sources in place to program the Megacast, four AT&T Stadium in-house feeds for the venue’s videoboard production (which will be run by Van Wagner Big Screen Network Productions), and inbound feeds being sent from Columbus, OH, and Eugene, OR, showing a site on campus where a potential championship celebration could break out.
The overall camera arsenal is a considerable step up from last year’s BCS Championship Game at the Rose Bowl in Pasadena, CA — which was no slouch as a production.
“Things have scaled up in overall volume,” says LaChance, who has worked on every college football championship game that ESPN has covered. “The pure scale and the magnitude of the technical presence is huge. I was very proud to be a part of the BCS history. We have certainly ratcheted up our efforts collectively. We’ve partnered together with [producer] Ed Placey’s team on how we can we best deliver and execute their game plan and what they have in store for those at home. As a content offering, it’s going to be a huge service for the folks watching at home.”
ESPN will have access to more than 60 camera sources, including this hard Sony 2500, of which there are 11 scattered around the bowl.
To record and play out all those sources, ESPN has a healthy 96 channels of EVS XT3 server and 32 channels of Evertz DreamCatcher (for the 4K robotics).
As one would imagine, the transmission grid is crowded at AT&T Stadium and throughout the Dallas-Fort Worth area. At the stadium, there are 32 paths out via fiber and satellite — LaChance notes that most of the satellite paths are scheduled as backup to the fiber. There are also 12 paths coming in to the stadium, mostly from ESPN’s home in Bristol, CT.
“When you do something of this magnitude,” says LaChance, “you have to have redundancy upon redundancy. There’s redundancy in power, in transmission, in the truck compound. We’re protecting for anything.”
Including ESPN’s Fort Worth-based sets, ESPN is working with 49 paths out (via fiber and satellite) and 18 paths in.
