{"id":151765,"date":"2019-01-03T14:07:13","date_gmt":"2019-01-03T19:07:13","guid":{"rendered":"https:\/\/staging.sportsvideo.org\/?p=151765"},"modified":"2019-01-03T20:19:56","modified_gmt":"2019-01-04T01:19:56","slug":"cinematic-lenses-becoming-larger-part-of-big-event-coverage","status":"publish","type":"post","link":"https:\/\/staging.sportsvideo.org\/2019\/01\/03\/cinematic-lenses-becoming-larger-part-of-big-event-coverage\/","title":{"rendered":"Cinematic Lenses Are Increasingly Deployed for Big-Event Coverage"},"content":{"rendered":"
The coming together of traditional TV-production techniques and traditional cinematic techniques continues. Increasingly, sports-production professionals are turning to tools that historically were the purview of big-screen cinema. The latest to make the move? Tom Wells<\/strong>, director of photography and owner, Technician Films, who has been part of the World Series on Fox for nine years and finds himself increasingly working with things like anamorphic lenses to tell the story of a sports event in new ways.<\/span><\/p>\n