Sitting down with SVG, Hutto explains the significance of an IT specialist\u2019s leading an AV integrator at a time when AV and IT continue to converge, and D\u2019Alessandro, who is transitioning to the role of executive chairman, provides context.<\/em><\/p>\n Diversified\u2019s Eric Hutto: \u201cThe biggest thing I think about right now is Draft Kings. I think you\u2019re going to see an ecosystem evolve to where that stuff begins to be integrated into the stadium experience.\u201d<\/p><\/div>\n It\u2019s surprising to see someone whose background isn\u2019t deeply in audio, video, and lighting take the lead at a systems-integration company like Diversified. On your LinkedIn page, you have self-described expertise in \u201cturnaround.\u201d You\u2019re coming to a company that\u2019s already at the top of its sector. What does this tell us? Diversified is already a great company, but now it\u2019s a billion-dollar company that has a lot of still-moving pieces of smaller companies. [Most recently, Diversified acquired North Haven, CT-based HB Communications in 2021 and Indianapolis-based Sensory Technologies in 2020.] What Fred and the board have asked me to do is come in and bring the structure and the ability to scale it, to bring it together as a single core operation and get it prepared for \u201cwhat does $2 billion look like?\u201d What\u2019s the operating model? How\u2019s the structure working? How complex is it? Things are moving so fast. You just can\u2019t afford to be complacent. You\u2019ve got to always be looking and challenging.<\/p>\n What do you see when you look at the sports sector in general, whether it\u2019s broadcast or live? How do we compete with an in-home experience vs. a stadium experience, and how do we bring those two together and compete? I think that the value and the growth opportunity for us is to merge those technologies with that experience definition. [Also,] remember everything gets done in the cloud and security\u2019s important, and these networks are getting more sophisticated. We\u2019re going to be bouncing up against that. I think we can naturally bridge those conversations and communities to be a broader service.<\/p>\n Diversified\u2019s Fred D\u2019Alessandro: \u201cThe first venue I worked on was in 1995. The [fan] experience at that time seemed great. But in 2022, it\u2019s a totally, totally different experience, created by the technology.\u201d (Photo: Matt Greenslade\/photo-nyc.com)<\/p><\/div>Stadiums and arenas have evolved from very highly specific sports venues to multipurpose destinations. They\u2019ve become the locus for larger retail, hospitality, even residential development. What does this mean for sports applications, and how does that impact how Diversified approaches this vertical? Fred D\u2019Alessandro:<\/strong> We\u2019ve started down the path with everything connected to create a spectacular bowl environment for the fans that we can expand way beyond the walls of the arena and stadium, through digital signage, through experiential designs, and interactive-type applications. That\u2019s why I think we\u2019re so well-positioned. Eric\u2019s background in security and other areas that are not typically something a traditional AV company has done, I think, [will] expedite a lot of these things and get us to where we need to be.<\/p>\n It sounds like you\u2019re talking about the possibility of even merging the physical and the virtual in some cases. We\u2019re very good at setting up those complex environments and getting them working. Now we need to monitor them. We need to be able to see the analytics, how they\u2019re performing and get out ahead of things. Not just to [be] content with setting up and running the control room but monitoring the experience, seeing its peaks and valleys, and making real-time adjustments that makes a venue really valuable over another venue that cannot do that.<\/p>\n When it comes to the state of audio and video at this point, are we at some kind of plateau? Have the scoreboards gotten as big as they can get? Has video been put into places that it hasn\u2019t been before? Is there any place left for it to go? Does the personal device become an extension of the installed device in the venue? EH:<\/strong> We already see it in some places: we walk in and immediately it recognizes you and suggests things like a shopping list on your phone. It\u2019s there; it\u2019s a matter of how do we weave it into this arena.<\/p>\n What do you think about what\u2019s going on with audio right now, particularly immersive? Certainly, broadcast is beginning to embrace immersive sound for on the air, but what do you think about its applications for live sound? For instance, you\u2019ve got companies like L-Acoustics with its L-ISA system and d&b audiotechnik with its Soundscape system moving further into sports venues. Diversified already has a very significant presence in broadcast-facility design and outfitting. What does the future hold as IP becomes the more dominant format for media technology and AV, IT, etc. converge? EH:<\/strong> It\u2019ll require us to be equally knowledgeable about 5G and where the companies are taking bandwidth and how to properly manage bandwidth. Over time, you get too many cars on the highway, you got to have the ability to manage it. [More] bandwidth [will] free up a lot of capabilities and opportunities, but it\u2019ll get complex pretty quick.<\/p>\n Fred, looking back over the years that you\u2019ve been at the helm of Diversified and at the tip of the spear in AV in general, when it comes to sports venues, what were the inflection moments? Any March Madness predictions? FD:<\/strong> Well, I\u2019m New Jersey-born, so I\u2019ve got to root for the New Jersey\/New York guys here. Anybody in that area, I\u2019m good with.<\/p>\n","protected":false},"excerpt":{"rendered":" Changing horses midstream is a challenge; changing them when you\u2019re at the top of the mountain is a high-wire act. That\u2019s where Diversified, pegged at No. 2 on SCN\u2019s […]\n More<\/a><\/p>","protected":false},"author":22,"featured_media":219302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[37,9248,13684,13683],"tags":[9486,17936,17937],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/posts\/219300"}],"collection":[{"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/comments?post=219300"}],"version-history":[{"count":3,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/posts\/219300\/revisions"}],"predecessor-version":[{"id":219310,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/posts\/219300\/revisions\/219310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/media\/219302"}],"wp:attachment":[{"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/media?parent=219300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/categories?post=219300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.sportsvideo.org\/wp-json\/wp\/v2\/tags?post=219300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/staging.sportsvideo.org\/wp-content\/uploads\/2022\/03\/Eric-Hutto-CEO-scaled.jpg\")
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\nEric Hutto:<\/strong> Think in terms of transformations instead of turnarounds. I think that every company, no matter how well it\u2019s doing, is keeping its eye on what its next moves are and how it begins to think about how its operating model and structure will scale.<\/p>\n
\nEH: <\/strong>I live in Dallas, so I\u2019m next to Jerry World, and we know what that looks like. (Laughs.) I\u2019m new to the industry, but, obviously, I\u2019ve been doing my homework. There\u2019s another $10 billion planned for expenditures in stadiums alone by 2030; that\u2019s eight years. Now, not all that $10 billion will go into AV and IP \u2014 all the things that we do \u2014 but a significant amount will. They\u2019re thinking about multiple channels of revenue.<\/p>\n![\"\"](\"https:\/\/staging.sportsvideo.org\/wp-content\/uploads\/2022\/03\/fred_dalessandro_7208_large_print_adobe98-scaled.jpg\")
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\nEH:<\/strong> The biggest thing I think about right now is Draft Kings. Some of the things that are boosting the sports environment are ancillary to what\u2019s actually happening in the arena. I think you\u2019re going to see more of an ecosystem evolve to where that stuff begins to combine and merge and be actually integrated into the stadium experience itself, not just sit on the outside. I think a lot of these things that today are operated around and support [live sports production] will become integrated into it.<\/p>\n
\nEH:<\/strong> I think that\u2019s exactly right. Look at the metaverse and where that\u2019s taking companies: to think and consider consumption models down the road and where extra revenue can be built. I think that we have an opportunity.<\/p>\n
\nFD:<\/strong> I think somebody will always create a larger LED display somehow. But I do think it becomes more about individual experiences vs. just things getting larger, right? What draws fans into the stadium and arena is how it all connects together. Does your phone become an extension of that large LED board in some way, shape, or form?<\/p>\n
\nFD:<\/strong> In my opinion, yes, it does. Absolutely.<\/p>\n
\n<\/strong>FD:<\/strong> We are working heavily with both those companies. We have a number of projects right now that have both of them as well as others. I think it\u2019s about concert quality now. Immersive is kind of a new frontier; you do have a few venues that are going down that path. But I think there\u2019s a great opportunity for us to help venues adopt immersive sound. I think it\u2019s a long way to go before it\u2019s fully in all these live-event spaces, [but] we\u2019re actually working with it now.<\/p>\n
\n<\/strong>FD:<\/strong> We\u2019re absolutely thought leaders in IP-based design, and a lot of that is also moving into cloud technology and production. There\u2019s still a long tail out there that are still convinced that on prem is the right solution, but I think that, as cloud virtualization production continues to be adopted, that\u2019s where things are going today. Our ET&S group \u2014 emerging technology and solutions \u2014 is working with clients three, four years before a single piece of cable is cut to look at, [considering] how they should think about their workflows, how they should think about media and the return on their investments. It\u2019s an exciting growth opportunity for us.<\/p>\n
\nFD:<\/strong> It has been 29 years. The first venue I worked on was in 1995, and I think back to sitting in the seat on opening night, to what the experience was, which at that time seemed great. But now you look at 2022, and it\u2019s a totally, totally different experience, created by the technology. The content \u2014 for instance, ice projection, if you\u2019re at a hockey game \u2014 and the sound, the sheer quality is just a whole different game. I think that\u2019ll continue to get better. That\u2019s why I think, when you bring fans to the game that are technology-savvy, you need to keep continuing to improve their experience. I think that\u2019s what it\u2019s all about: just continuing to improve the experience of the fan.<\/p>\n
\nEH:<\/strong> My alma mater, Arkansas, will not win. We had our glory in 1994, and that was it. We were done.<\/p>\n