From the initial pitch to the playout onscreen, motion-graphics designers and creative directors face a litany of challenges in creating sizzling show opens, bumpers, promos, and other content for sports […] More
In video-production workflow, a tremendous amount of care goes into separating the creative from the tech. The ultimate goal is to establish an environment where the storytellers can do their […] More
During the summer of 2011, Apple rocked the professional-video-editing community when it released its Final Cut Pro X (FCPX) non-linear-editing software, marking a complete overhaul of its popular Final Cut […] More
Regardless of whether broadcast facilities are separated by a wall or a continent (or multiple continents, as was NBC Olympics’ experience throughout the Sochi Games), the cloud allows broadcasters to […] More
HBO’s 24/7 production team took to the stage at SVG’s SportsPost:NY to discuss what, in recent years, has become one of the most consistently lauded sports TV series when it […] More
Any sports network knows that redesigning a graphics package is no small undertaking. From inserts to animations to sponsorship elements, it is a massive project fraught with potential perils and […] More
Every two years, an event hits television with majestic fanfare and transfixes the country. For two weeks, the Olympics combine the highest level of athletic competition with the human element, […] More
Video content is being produced at a blistering pace, and sports is a big driver of that trend, even in postproduction. Managing content and sorting out rights agreements and contractual […] More
ESPN Films Director of Development Daniel Silver set a creative tone early on for a standing-room crowd of 150 video professionals at HBO’s Michael Fuchs Theater at SportsPost NY, Sports […] More
Telling the story, whether in a long-form feature or a 30-second tease, requires more than good equipment and technical knowledge. Yet, as the industry shifts toward file-based workflow, both are […] More
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